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Continue reading →: Goncalo Marques/Demian Cabaud Quartet: Wabi-SabiPORTA JAZZ (RELEASED SEPTEMBER 2024) Wabi-sabi is a traditional Japanese aesthetic worldview based on four principles.One of those principles states that through acceptance, one finds freedom. So, it’s not surprising that freedom is an essential element of Wabi-Sabi, a recording that advances the “free jazz” of Ornette Coleman’s classic 1959…
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Continue reading →: Matt Wilson: Tree Jazz – The Shape of Christmas to ComePALMETTO RECORDS (RELEASED OCTOBER 25, 2024) In the true spirit of Christmas, three wise men bring you gifts of music, merriment and mischief. The three wise men (or musical wise guys might be more appropriate) are drummer Matt Wilson, reed player Jeff Lederer and bassist Paul Sikivie, and the gift…
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Continue reading →: Brian Lynch: 7X7BY7HOLISTIC MUSICWORKS 23 (RELEASED OCTOBER 21, 2024) How many jazz albums can you name with the number seven in it? I can only think of two — Miles Davis’ “Seven Steps to Heaven” and Herb Ellis/Joe Pass’ “Seven Come Eleven.” With his latest release, trumpeter Brian Lynch adds one more…
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Continue reading →: Jocelyn Gould: Portrait of Right NowMANITOBA FILM & MUSIC (RELEASED OCTOBER 25, 2024) Although she is inspired by Grant Green, Kenny Burrell and Wes Montgomery, Canadian guitarist and vocalist Joceyln Gould has a little bit of Benjamin Franklin in her as well. Afterall, it was Franklin who is credited with saying, “Honesty is the best…
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Continue reading →: Rich Halley: Dusk and DawnPINE EAGLE 016 (RELEASED OCTOBER 25, 2024) If I was asked to write the definition of the word balance it might look something like this: an aesthetically pleasing integration of elements as in Rich Halley’s Dusk and Dawn. The elements on Halley’s 26th recording as a leader include a combination…
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Continue reading →: Dwayne Clemons Center of Gravity: Live at SmallsCELLAR MUSIC (RELEASED OCTOBER 18, 2024) A live recording is often a work in progress, especially when the ensemble is relatively new to one another and they have yet to make a studio recording. Such is the case with the latest release from trumpeter Dwayne Clemons— Center of Gravity: Live…
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Continue reading →: Jason Anick & Jason Yeager: SanctuarySUNNYSIDE 1738 (RELEASED OCTOBER 11, 2024) The latest recording from violinist Jason Anick and Jason Yeager is a musical smorgasbord. Anick and Yeager serve up a program with something to please any taste. Like any smorgasbord there may be things you savor and others you will more than likely pass…
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Continue reading →: Alvaro Torres: IrisSUNNYSIDE RECORDS (RECORDED JULY 2023) To say that pianist Alvaro Torres has a fondness for Paul Bley would be an understatement. On his first trio recording in 2019, Torres featured pieces titled “Hillcrest Club” and “Like Paul.” His next two releases, Heart is the Most Important Matter and Live in…
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Continue reading →: Eri Yamamoto: Fly With the WingsMAHAKALA MUSIC 079. (RECORDED MAY 2024) For her first quartet outing in a recording career that began in 2000, Eri Yamamotohas assembled a group she calls Quadraphonic. The band’s name refers to the sounds of saxophonist/flutist Chad Fowler, bassist Kevin Thomas, drummer Ikuo Takeuchi and pianist/vocalist Yamamoto coming together to…
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Continue reading →: Miki Yamanaka: ChanceCELLAR MUSIC (Released October 2024) Except for her 2021 Stairway to the Stars release, many of Miki Yamanaka’s recordings have focused almost exclusively on her own compositions. Chance finds her with bassist Tyrone Allen and drummer Jimmy McBride (her current working trio) exploring tunes from a diverse range of composers.…
Hello,
Welcome to Papatamus Redux
I started reading Cadence in the early 1980s. Since that time, I have come to respect editor and jazz critic Robert Rusch for his intelligent, succinct and unbiased reviews. Over the past twenty years, it has been my pleasure to get to know Robert and his family, making frequent trips from our home in Iowa to New York’s North Country. Several years ago, I was honored to be asked to help edit Robert’s Papatamus column.
I was equally honored to be asked by his family to keep Robert’s legacy of intelligent, succinct and unbiased jazz reviews alive with Papatamus Redux. You can view older editions of Papatamus at papatamus.com.
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