The Top Ten for 2025

I was honored to be asked by Cadence Magazine to submit by top ten releases for 2025,
many of which I have reviewed this past years. So, with the stream of new releases slowing up for the holiday season I though I would share my picks for 2025.

NEW RELEASES:
Eric McPherson: Double Bass Quartet (Giant Steps)
James Brandon Lewis: Abstractions in Deliverance (Intakt)
Thomas Ruckert: For All We Know (Challenge)
Ehud Asherie: Thank You Barry Harris (Arbors)
Michael Bisio: NUMBQ (Mahakala)
Joe McPhee: I Know Why the Caged Bird Sings (Rogue Art)
Remedy: Hipp Hipp Hooray (FSR)
David Kikoski: Weekend at Smalls (Cellar Music)
Joris Roelofs: Rite of Spring (ICP)
Steve Hirsh: The Back Nine (self-produced)

REISSUES/HISTORICAL
Dave Burrell: The Lost Session (No Business)
Rashied Ali: Sidewalks in Motion (Survival)
Ellery Eskelin: About (Or On) First (Ezzthetics)
Kenny Dorham: Blue Bossa in the Bronx (Resonance)
Irene Schweizer: Irene’s Hot Four (Intakt)
Gato Barbieri: Standards Lost and Found
Charles Mingus: In Argentina (Resonance)
Jimmy Bennington: Blue Veils (That Swan)
Frank Kimbrough: The Call
Horace Tapscott: Live at Widney High 1971

Happy holidays to all and keep listening (and reading Papatamusredux).
Thanks for your support.

Abe Goldstien

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Welcome to Papatamus Redux

I started reading Cadence in the early 1980s. Since that time, I have come to respect editor and jazz critic Robert Rusch for his intelligent, succinct and unbiased reviews. Over the past twenty years, it has been my pleasure to get to know Robert and his family, making frequent trips from our home in Iowa to New York’s North Country. Several years ago, I was honored to be asked to help edit Robert’s Papatamus column.
I was equally honored to be asked by his family to keep Robert’s legacy of intelligent, succinct and unbiased jazz reviews alive with Papatamus Redux. You can view older editions of Papatamus at papatamus.com.