Bruce Gertz: Octopus Dreams

OPEN MIND JAZZ 017 (RELEASED AUGUST 15, 2025)

The image of an octopus gracefully navigating through shifting currents is an apt description for the music on bassist’s Bruce Gertz’s Octopus Dreams. The quintet gracefully glides through the lyrical melodies, inviting harmonies and shifting rhythms of seven Gertz originals. The music is modern but grounded on hard bop sensibilities. The horns of trumpeter Phil Grenadier and saxophonist Rick DeMuzio open many of the tunes while Gertz’s unpretentious arrangements provide launching pads for solos from all band members. The opening track, “Power Walk” is a case in point. Based on the chord structure of Sonny Rollins’ “Doxy,” Gertz starts the solo sequence on bass and then weaves his way through a crisp solo from Grenadier and a bluesy solo from DeMuzio. They demostrate their controlled restraint on other similar flavored tunes such as “Sea Worthy” and “Dedacted.” Pianist Gilson Schachnik gets a chance to shine on “Octopus Dreams,” a modal tune reminiscent of Herbie Hancock’s “Maiden Voyage” and “Speak Like a Child” days, which also features Grenadier on flugelhorn. Drummer Gary Fieldman moves from timekeeper to equal participant on the modern hard bop sound of “I’m Busy” as he exchanges fours with DeMuzio, Grenadier and Gertz. Whether the band is playing ballads such as “Mr. Z,” medium swing numbers such as “Opening,” or a jazz waltz titled “Sea Worthy” — they do it with an uncanny ability to deliver hot, upbeat and impassioned performances while remaining cool, calm and collected. Go with the flow as you enjoy the undulating, soothing and fluid music of Octopus Dreams.

BOTTOM LINE: Bruce Gertz’s Octopus Dreams is packed with dichotomies. The music is accessible yet adventuresome. The solos are refined yet refreshing. The arrangements are intricate yet inviting. It’s a perfect example of how modern jazz played can be played passionately without unwarranted pretentiousness.