PAPATAMUS REDUX

GIANT STEPS; GSA13. (RECORDED DECEMBER 13, 2023)

If imitation is the greatest form of flattery, John Coltrane would be flattered by Ben Solomon’s Echolocation. Other than the more contemporary sound of “Scene Changes,” the other seven tracks on this recording are VERY reminiscent of the famous John Coltrane Quartet. There are modal pieces such as “Echolocation,” the reflective “Secret Garden” and the Middle Eastern sounding waltz of “Will ‘O Wisp.” Solomon is steeped in Coltraneisms — the sheets of sounds, the big warm tenor sound and the reaches into the higher stratospheres of jazz. Although he has the technique down, Solomon lacks the human quality that made Coltrane, Coltrane. Pianist Davis Whitfield’s harp like glissandos on “Reflection Pool” bring Alice Coltrane to mind whereas his strong propulsive solos on other tunes are more in keeping with McCoy Tyner. Like Reggie Workman and Elvin Jones, bassist Rashaan Carter (check out his solo on “Echolocation”) and drummer Kush Abadey (check out his rhythmic fluency on “Reflection Pool”) provide the pulse and energy that keep things interesting. It was hearing Coltrane that propelled a young Solomon into pursuing a music career, which now includes performances, recordings as well as books.  Sadly, Solomon is more imitative than interesting. Perhaps as he gets older, Solomon will start to find his own voice inspired by, rather than being enamored with Coltrane.

BOTTOM LINE: John Coltrane was a major influence on many saxophonists during his lifetime and continues to inspire a new generation of saxophonists. Ben Solomon is one of them. Echolocation is Solomon’s tip of the hat to his musical hero. It’s a nice enough recording, but if you want to experience the real beauty, energy and spiritual quality of Coltrane, listen to Coltrane!