Satoko Fujii: Unwritten

Satoko Fujii: Unwritten

LIBRA 207 (RECORDED MAY 2023)

The name of this group as well as the name of the recording speaks volumes about what you will hear on the recent release from Satoko Fuji, who Cadence once described as “the Ellington of free jazz.” The group name Kaze is the Japanese word for wind. The wind howls through the bursts, blasts and whispers of trumpeters Natsuki Tamura and Christian Pruvost. Using his percussion arsenal, drummer Peter Orins stirs up everything from tornadic explosions to gentle morning breezes. Fujii adds to the atmosphere with her always unique and personal style. What better title for the recording than Unwritten. After 13 years of working together, this is Kaze’s first completely improvised album. The best example of this is the opening 37-minute “Thirteen.” Fujii starts with a series of sparse single notes as Tamura, Pruvost and Orins add the punctuation marks.  A period here.  An explanation point, there. A semi-colon to expand on a thought. Even an ellipsis to shift from one thought to another.  The other two selection on this live set recorded during a concert in France explore the multitude of sounds these four improvising artists can conjure up but they fall short of the grandeur of the opening selection.

BOTTOM LINE:  This totally improvised performance by Kaze is an adventure for both listeners, and I would imagine even more so for Fujii, Tamura, Pruvost and Orins. I will look forward to their next adventure — improvised, composed or both!

Leave a comment

Welcome to Papatamus Redux

I started reading Cadence in the early 1980s. Since that time, I have come to respect editor and jazz critic Robert Rusch for his intelligent, succinct and unbiased reviews. Over the past twenty years, it has been my pleasure to get to know Robert and his family, making frequent trips from our home in Iowa to New York’s North Country. Several years ago, I was honored to be asked to help edit Robert’s Papatamus column.
I was equally honored to be asked by his family to keep Robert’s legacy of intelligent, succinct and unbiased jazz reviews alive with Papatamus Redux. You can view older editions of Papatamus at papatamus.com.