Mina Cho: Beat Mirage

Mina Cho: Beat Mirage

IGJI 0075. (RECORDING DATE NOT AVAILABLE)

Korean and jazz rhythms come together in Mina Cho’s Beat Mirage. The result is as tasty and spicy as your favorite Korean restaurant. Cho and her band, The Grace Beat Quartet, serve up a hypnotic appetizer with the shamanic chanting of “Nacht Song,” a piece based on a traditional Korean melody that entices you for more. The five tunes that follow, including the title track “Beat Mirage,” explore Cho’s fascination with gospel, jazz and her native music. Traditional Korean percussion instruments, played by Insoo Kim and Yeongiin Kim, punctuate the percussive and single-note attacks of Cho’s playing. Lyrical solos from bassist Max Ridley add more flavor to the mix. For dessert, Cho turns to her interest in Latin American music with the bolero-inspired “There’s a Stage For Me in Heaven.” You’ll sure to enjoy some familiar and unique flavors in Cho’s fusion of Korean-inspired and jazz-imbued music.

BOTTOM LINE: Cho states that her goal with Beat Mirage was to create a platform where traditional Korean and jazz musicians could organically exchange ideas for composition and improvisation. She succeeds from the first note to the last!

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Welcome to Papatamus Redux

I started reading Cadence in the early 1980s. Since that time, I have come to respect editor and jazz critic Robert Rusch for his intelligent, succinct and unbiased reviews. Over the past twenty years, it has been my pleasure to get to know Robert and his family, making frequent trips from our home in Iowa to New York’s North Country. Several years ago, I was honored to be asked to help edit Robert’s Papatamus column.
I was equally honored to be asked by his family to keep Robert’s legacy of intelligent, succinct and unbiased jazz reviews alive with Papatamus Redux. You can view older editions of Papatamus at papatamus.com.